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(Partner Event) José Jun Martínez: At the centre there is a stillness

(Partner Event) José Jun Martínez: At the centre there is a stillness

Location: Cecilia Brunson Projects

Event Organizer: Cecilia Brunson Projects

Event Website: RSVP Here

Cost: Free

June 6 @ 5:00 pm 8:00 pm BST

Cecilia Brunson Projects is pleased to present José Jun Martínez: At the centre there is a stillness, the Puerto Rican artist’s first solo exhibition with the gallery, opening during London Gallery Weekend 2026. The gallery will host an exhibition walkthrough with the artist on Saturday, 6 June at 5.00pm. Bringing together a new body of monumental paintings made in London and informed by years of immersion within the tropical river landscapes of Puerto Rico, the exhibition reflects on return, estrangement, and the unstable space between memory and perception. Martínez approaches painting not as description, but as a form of bodily encounter. Rivers, dense vegetation, rainfall, humidity, and shifting light are translated into fractured compositions where electric ultramarines, acid greens, earthy browns, and synthetic flashes of colour pulse between figuration and dissolution. The works emerge from what the artist describes as the contradictory sensation of returning to a landscape that feels at once intimately familiar and suddenly strange. Central to the exhibition is a series of large-scale diptychs and triptychs in which an intense ultramarine blue moves across the surface like both water and apparition. For Martínez, colour itself carries psychological and political charge. Drawn partly from the contested blues of the Puerto Rican flag, the paintings hold competing emotional registers of belonging and displacement. Branches and leaves repeatedly cut across the compositions, obstructing clear vision and destabilising perspective. Rather than presenting landscape as something distant or fixed, Martínez constructs immersive sensory environments shaped by sound, rainfall, bodily disorientation, and overstimulation. Influenced by the writings of Heraclitus and by reflections on “re-entry” after distance or exile, the paintings meditate on the impossibility of returning unchanged, asking how both land and self continue to transform through time. José Jun Martínez (b. 1992) received a BA in Fine Arts from the University of Puerto Rico, Río Piedras, and an MA in Painting from the Royal College of Art, London, where he was awarded the Valerie Beston Artists’ Trust Prize in 2024. Recent solo exhibitions include The Hymn of the Toads (Matt Carey-Williams, London, 2025), Interludio del Viento (Galería Leyendecker, Tenerife, 2025), and Hermano de las Flores (Museo de San Juan, San Juan, 2025).

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