A photo of artist Gabriella Torres-Ferrer. They are taking a selfie but the area where his face would be is distorted.

Gabriella Torres Ferrer

Contact

Gabriella Torres-Ferrer (Puerto Rico, b. 1987) is a multimedia artist and researcher whose work considers futurability, power dynamics—means of exchange and production in our interconnected global society. Their transmedial practice integrates new media, installation, video, web-based interventions, among other experimentations.

Torres-Ferrer’s work has been featured in the Whitney Museum of American Art (New York), El Museo del Barrio (New York), the Hessel Museum of Art at CCS Bard (Annandale-on-Hudson), Museum der Arbeit (Hamburg), and the National Museum of the Democratic Republic of Congo (Kinshasa). Their work has also been shown at The Wrong New Digital Art Biennale; 15th Bienal de Artes Mediales (Santiago); The Shed (New York); SAVVY Contemporary (Berlin); A.I.R. Gallery (New York); max goelitz (Munich); CURRO (Guadalajara); and Embajada (San Juan). In 2020, Torres-Ferrer received a guest artist prize from CERN (Geneva) and enrolled in the Akademie Schloss Solitude’s international artist-in-residence fellowship.

Gabriella Torres-Ferrer" notes on power(from the south)", 2023. Mine Your Own Business living sculptures series. Microcomputers, live data, found objects, electroluminescent LED panels, batteries and wires, 450 x 150 x 65 cm. Installation view, Museum der Arbeit, Hamburg, 2024. Photograph documentation by Maria Feck
Gabriella Torres-Ferrer, "Let it go", from the series 'Be Real'..., 2024. Laser engraved mirrored glass, electroluminescence, wires, 82cm x 66cm x 2cm. Photograph documentation courtesy of the artist.
Gabriella Torres-Ferrer, "(Untitled) Piñas, coladas.", 2022. Mine Your Own Business living sculptures series. Pineapples, live cryptocurrency displays. 182 x 61 x 46 cm. Installation view, SAVVY Contemporary, Berlin, 2022. Photograph documentation courtesy of the artist.
Gabriella Torres-Ferrer, "Untitled (Valora tu mentira americana) (Untitled [Value Your American Lie])", 2018. Hurricane ravaged wooden electric post with statehood propaganda. 295 x 300 x 310 cm. Installation view, Whitney Museum of American Art, New York City, 2022. In permanent collection at the Whitney Museum of American Art, New York. Photograph documentation by D. Alvarado
Stiftung Historische Museen Hamburg Logo